Born and raised in the Wolf Clan of the Oneida Nation in Central New York, Mary Homer has lived her life surrounded by culture and creativity. A fourth-generation bead worker, she inherited her craft from her mother, who passed away in July last year.
“I learned everything from her — from single-strand necklaces to full fashion designs,” Homer said. “Every piece I make carries her lessons and love.”
From Tradition to the Runway
Her passion grew into a mission. Through Homer Couture and Beading Wolves, she expanded Haudenosaunee beadwork to the fashion world.
“We took a chance,” she said. “I promised myself that if people loved it, I’d continue. Six collections later — here we are.”
Today, she is the first Indigenous designer to show her work at both Syracuse Fashion Week and New York Fashion Week, marking a milestone in cultural representation.
Every Stitch Tells a Story
“You can feel the pride and heritage in each piece,” Homer explained. Her brand stays as authentic as possible — from models and styling to beadwork, everything reflects Indigenous artistry.
She also supports young talents who rarely get exposure, giving them the chance to shine on major runways.
Representing the Oneida Nation
To Homer, fashion is a bridge between tradition and modern identity. She proudly showcases her culture while encouraging people to reconnect with Oneida’s rich history — from the Shako:wi Cultural Center to the Turning Stone area.
Fashion with a Message
Each collection also carries a powerful cause. Homer includes a red handprint symbol in her work to honor the Missing and Murdered Indigenous Women movement.
“It’s my duty as a mother and grandmother to spread awareness,” she said. “Our art keeps our stories alive.”
Carrying the Legacy Forward
With every bead, Homer celebrates resilience, identity, and creativity. “We are still here,” she said. “And we’ll continue to honor our traditions and culture through fashion.”
