Bianca Censori has given her first large scale interview and the conversation goes far beyond shock value and viral appearances. The central message is clear. She says she is tired of being perceived only through nudity and provocation and wants her work to be understood as art rather than spectacle.
According to Censori her controversial public looks were part of a seven year artistic project titled Bio Pop. The project explores the relationship between the body space and the power of the gaze. Its debut took place in South Korea where she appeared in latex as part of an installation that merged furniture performance and living human forms. She frames these moments as conceptual statements rather than attention seeking fashion.
A significant part of the interview addresses her personal relationship and public perception around it. Censori states that she is not controlled or pressured in her choices and that free will is fundamental in her life and creative decisions. She also speaks openly about her experience with mental health treatment noting that it was a personal and independent process. While acknowledging how difficult certain public crises were for her she makes it clear that she does not support many of the ideas that were voiced during those periods.
The interview signals a clear shift in direction. Bianca Censori plans to focus fully on contemporary art for at least the next seven years positioning herself not just as a subject but as the author and central figure of her work. The goal is fewer viral moments and more intentional narratives built around concept authorship and control.
